© Sara Caneva 2017-2020

for scores and performance material: 

Edizioni Suvini Zerboni

g.bonomo@sugarmusic.com

  • Sara Caneva composer conductor
  • Sara Caneva composer conductor
  • Sara Caneva composer conductor
  • Sara Caneva composer conductor

ABOUT

 

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Sara Caneva is a composer inside a conductor.

Podium experience crossed her composing mind, leading to a special blend and care for the gestures that produce sound - in any Music, pursuing the aim that immediacy and depth can go together.

 

Appointed composer in residence 2018 at the Schleswig-Holstein Künstlerhaus in Eckernförde, in 2016-2017 she has been fellow composer at the Teatro dell'Opera di Roma, where she also conducted the world premiere of a contemporary opera diptych including her stage work On-Off.

She is currently shortlisted for LaMaestra Conducting Competition at La Philharmonie de Paris, and invited to audition for the Junior Conducting Fellowship at the RNCM in Manchester.

Since her debut in opera conducting in 2014, she has been active both as composer and conductor in internationally renowned contexts, working with orchestras like Danubia Orchestra Obuda, Savaria Symphony Orchestra, Orchestra Regionale Toscana, Südwestdeutsche Philharmonie Konstanz, LaVerdi, Youth Orchestra Teatro dell'Opera di Roma, Berlin Sinfonietta. Between 2015 and 2017 she conducted the Ensemble Formanti, oriented on contemporary and improvised music. Among her most recent engagements, she brought on stage the premiere of the multimedia opera "Trilogy in two" in a tournée with Helga Davis and the Schallfeld Ensemble.

Her music has been awarded in several international selections and is being played in venues such as Teatro La Fenice di Venezia (2019), Parco della Musica Roma (2018), Teatro dell'Opera di Roma (2017), Musiikkitalo Camerata Helsinki (2018), Mozarteum Salzburg (2017), Moscow Philharmonic (2016), among others. She wrote for performers such as Neue Vocalsolisten Stuttgart, Schallfeld Ensemble, Mdi Ensemble, Moscow Contemporary Music Ensemble, PMCE, NAMES Ensemble, the pianist Ricardo Descalzo, among others. Since 2018 her works are published by Edizioni Suvini Zerboni.

She currently pursues an independent project researching impact of visual cues on the listening perception and social aspects of sound ecology through treasure hunts with sounds and soundwalks.

 

  • Sara Caneva composer conductor
  • Sara Caneva composer conductor
  • Sara Caneva composer conductor
  • Sara Caneva composer conductor

Commissions & Festivals
Teatro La Fenice di Venezia

Teatro dell’Opera di Roma

I Teatri di Reggio Emilia

Schallfeld Ensemble

Mdi Ensemble

Dèdalo Ensemble

Romaeuropa Festival

Druskomanija Festivalis (LT)

Crossroads Festival Salzburg Mozarteum

Residencia de Estudiantes

 

Fellowships & Residencies

Saari Residence - Kone Foundation

DUNE artistic residency, Oasi San Felice

Styria Artist In Residence, Land Steiermark

Bogliasco Foundation

Schleswig ­Holstein Künstlerhaus Eckernförde

Residencia de Estudiantes Madrid

Teatro dell'Opera di Roma Y.A.P. 2016-2017

 

Awards & Honors

"Fabbrica" Y.A.P. Teatro dell'Opera di Roma International Competition

G.A.I. & MiBAC "movin’up" 2016 competition funding
"Live!" International call for scores 2016, Mdi Ensemble
European Community Erasmus+ Scholarship
Wall Street Institute scholarship "Via Vittoria"

Masterclass

IEMA Klangspuren Schwaz - J. Stockhammer

Stockhausen 90 Peter Eötvös Foundation  - P. Eötvös, G. Vajda

Impuls Academy - R. Saunders, M. Andre

Accademia Musicale Chigiana - G. Gelmetti

Tchaikovsky Academy (RU) - C. Bauckholt, O. Bianchi, F. Levy, D. Kourliandski

Accademia Musicale Chigiana - G. Battistelli

Education

2017 - Master degree in Orchestral Conducting Conservatorio "G. Verdi" Milan

2016 - Diploma in Composition Scuola Civica di Musica "C. Abbado", Milan
2015-2016 - Erasmus+ in Conducting Musikhochschule Stuttgart

2013 - Master degree in Composition Conservatorio "Santa Cecilia", Roma
2012 - Master degree in Piano Conservatorio "Santa Cecilia", Roma
2011 - Diploma in Composition Conservatorio "S. Pietro a' Majella", Napoli

Press

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

"Tutta la parte musicale, [di On-Off, nda] molto sofisticata, sembrava alludere alle difficoltà di ascolto di questi personaggi [...] 

L’opera era punteggiata da concertati ritmati, citazioni stilistiche, innesti registrati di voci bianche e attori. Nella parte vocale emergevano alcune belle intuizioni, come le tirate di Fraud che parlava agli ospiti dell’ospedale con grande enfasi, ma senza essere sentito, con una studiata alternanza di parole e break strumentali. [...]

Un ottimo istinto teatrale, da tenere d’occhio, anche considerando la giovanissima età."

(G. Mattietti, Amadeus, Oct. 2017)

Musica in Metamorfosi
Interview by A. Liberovici
Radio3 Suite (Feb 2018)
On-Off/She, Opera di Roma
Amadeus, Press Review (Oct 2017)
Sara Caneva on air - Radio3 Suite
Radio Interview, Rai Radio3 Suite (Oct 2017)
On-Off/She, Opera di Roma
Press Review, Roma Italia Lab (Oct 2017)
AIR Schleswig-Holstein
Eckernförder Zeitung (Dec 2018)
IEMA concert Innsbruck
Anaclase Anaclase (Sept 2018)
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